In March of 2013 I flew to Los Angeles on short notice. It was two days after the Veronica Mars Kickstarter project had launched. Kickstarter’s “Hollywood moment.” I was with Veronica Mars’ creator Rob Thomas in Austin. I sat in his office as the $2 million budget that had eluded him the past eight years suddenly appeared through the magic of fans and the internet. He cried, overwhelmed.
Smell the smell
Smell the smell
Smell the smell
In March of 2013 I flew to Los Angeles on short notice. It was two days after the Veronica Mars Kickstarter project had launched. Kickstarter’s “Hollywood moment.” I was with Veronica Mars’ creator Rob Thomas in Austin. I sat in his office as the $2 million budget that had eluded him the past eight years suddenly appeared through the magic of fans and the internet. He cried, overwhelmed.